Pack up, boys and girls, we’re road tripping! Banana Fish pretends to chill out for a filler episode, kicking the audience out of the vehicle in the middle of fucking nowhere (officially known as Cape Cod) for some backstory and character development. Ensue the usual hilarity of unleashing city folk into the boonies – murder, knife fights, horrifying recollections of child abuse. Weirdly, the guns don’t seem out of place, though. This is America.
Banana Fish continues to brutally launch itself through a hefty plot, no mercy and no prisoners. It’s clear we have a lot of plot to cruise through, and the ride is going be bumpy with minimal breaks for downtime. It’s a two-way pull: Ash and Eiji are simultaneously being pursued, and doing the pursuing. There’s a lot going on, but so far, the direction is smooth enough to not reduce viewers to motion sickness. For a gang drama with a growing cast, that’s no easy feat, but the main driver is Ash – though Eiji is ready to ball up and take the wheel.
If you are a gay anime fan who had never heard of Banana Fish until 2018 – join me in pretending to the smug BL connoisseurs clutching their gay 80’s shoujo manga that you totally fucking had. Because that’s what this is, in case you haven’t Wikipedia’d the shit out of MAPPA’s new series yet. A gay 80’s shoujo manga, because #diversity means that violent New York City drug smuggling crime syndicate dramas are for everyone, and that includes teen Japanese girls.
What is the elusive titular “Banana Fish”? Will gang violence irreparably destroy the very fabric of society? And is it gay?